“A heartfelt exploration of the ties of family, The Golden Land is an engrossing tale told across generations with the explosive history of Myanmar as its backdrop.  Elizabeth Shick has written a compelling, emotionally complex novel that explores the difficulties of defining oneself amid the struggle of competing cultures.  This is a timely, necessary book.”
—Sabina Murray, author of The Human Zoo and Valiant Gentlemen

“Elizabeth Shick’s steady, elegant prose transported me to a place I knew little about, and I found myself wanting to learn more about this turbulent period in Myanmar’s history. The Golden Land is both a rich and intimate family portrait as well as a portal leading into another world, relevant and important to where we are in our own country today.”
—Mira T. Lee, author of Everything Here is Beautiful

“The Golden Land is a gorgeous and moving novel about one young woman’s journey to Myanmar, where her family’s stay with their relatives, nearly 25 years ago, was cut short by political unrest.  The novel immerses us in the Burma of 1988 and the Myanmar of 2011; both places are fraught with great beauty and suffering.  Through the main character’s journey, we learn the difference between “adapting and accepting, between carrying on and forgetting” and find hope in the paradox that love is always tangled with disappointment, democracy doesn’t preclude loneliness and suffering, and yet trusting people we love is as natural and inevitable as breathing.  This is a remarkable novel, at once informative and deeply felt.”
—Kyoko Mori, author of Yarn: Remembering the Way Home 

“The Golden Land moves back and forth in time, evoking present-day Myanmar’s indeed golden past when Burma, and capturing its perilous political moment, while also uncovering a Burmese-American family’s interwoven secrets, layer upon layer, one revelation leading to the next with poignant logic and a gathering momentum. Elizabeth Shick tells this story with flawless authority, giving us a rich, ever-beckoning novel that’s historically sure, culturally acute, and, most of all, humanly wise as it asks how much of where we came from do we need to hold close, and how much can’t we shed, however urgently we wish to.”
—Douglas Bauer, author of The Beckoning World

“Like the Burmese puppeteer whose marionettes dance within this novel, Elizabeth Shick knows how seeming opposites are actually tied together: jiggle the past, and the future tilts; touch regret, touch loss, and set in motion love or liberation. Balancing the personal with the political, and showing romance side by side with a blood-soaked reality, this engrossing story is about the difficult necessity of revisiting trauma. The Golden Land radiates with cultural empathy, a glow that might light a path toward justice.”
—Michael Lowenthal, author of Charity Girl

“The narrator of The Golden Land discovers a fierce bravery she didn’t know she had when she returns to Myanmar to confront the past and questions of identity. Vividly drawn, intimate, and deeply healing, this important novel asks us to consider the steep price we pay when we bury family and national history.”
—Hester Kaplan, author of The Tell

“This is the fascinating story of an American woman of part-Burmese ancestry haunted by a disturbing event experienced during a visit to her grandmother’s country. Moving between Boston and Yangon, and the past and the present, the story brings two vastly different worlds to life, and explores the powerful attachment between two people of contrasting backgrounds that endures beyond distance and time. Through vivid descriptions of pre-monsoon weather, shops, food, and everyday routines in both the prosperous and less savory parts of the city, Elizabeth Shick successfully captures the essence of Yangon. With its moving depictions of political turmoil and military rule, the novel is particularly significant and relevant to the ongoing troubles faced by the Burmese people in their struggle for basic rights and freedom.”
—Local Myanmar author

“Although fiction, The Golden Land is based on the true events Myanmar (Burma) has experienced over the years. Both engaging and mesmerizing, the novel carried me back to the heartache of those times. As I turned the pages, I was eager to discover what would come next for Aye and Shwe, Ahpwa and U Soe Htet, and Etta and Jason. Elizabeth Shick writes with so much empathy describing the emotions of her characters and attention to the nuances of Burmese culture that the characters felt like real people to me. Who would believe it’s a debut novel?! A very good read, indeed!”
—Kyi Kyi May, former Head of BBC Burmese Service, London

“I absolutely loved this story. Shick is a talented writer, expertly weaving one narrative between the past and the present, between Burma and Boston. She manages to beautifully illustrate the connections between regret and love, military rule and the fight for justice, and the struggle of choosing what to hold on to and what to let go.”
—Megan McCarthy-Biank, The Nerd Cantina

“In this stunning debut, author takes on an achingly raw and remarkably vivid journey of a Burmese American attempting to reconcile her past. In this memorable dual-timeline novel, the reader is as captivated by Etta’s current life, as by the fairly recent historical events that she and her family were caught in the middle of in Burma in the late 80s. All at once a coming-of-age story and a tribute to the importance of family, The Golden Land is a powerful meditation on the weight of our own cultural history.”
—Mama’s Gotta Read

“From Burma in 1988 to Myanmar in 2011, this distinct and beautifully written debut novel explores this complex and little-known country through the eyes of Etta, who lived there as an adolescent and returns after the death of her grandmother.”
—Karla J. Strand, Ms Magazine

“Shick plays deftly with dual narratives…Illuminating moments–puppetry, folklore, pivotal events, quotidian contemporary life–tilt Shick’s fiction firmly toward respect and appreciation.”
—Terry Hong, Shelf Awareness

“Shick’s writing is smooth and fluid, with a fascinating focus on character development and plot development.”
—Jawad Saif, The Business Standard News

“With direct, descriptive prose and careful pacing, Shick eases the reader into Etta’s large and intricate world…readers will connect with the relatable tensions of her family story and come away with a keen sense of their losses and struggles along with a broader understanding of the political forces that wrought them.”
—Jody Hobbs Hesler, Necessary Fiction

“Shick’s book provided a travelogue of sorts, and a wake-up call. I found myself thinking about it and stealing time away from other tasks to return to it. After finishing, I wasn’t ready to leave Myanmar behind”
—Kate Feiffer, The MV Times